MuseBud is an AI music companion connected to your Apple Music. Ask it anything about what you play — your real numbers, how your taste has shifted, why you keep returning to one record — and it answers with the actual data rather than a guess. Then it does something with the answer: builds the playlist, finds the show, makes the card you can share.
Built for Music
The music friend who actually gets your taste
Bud is an AI music companion for Apple Music who knows your listening habits, tracks your stats, builds playlists that land in your library, finds shows near you, and chats about the music you love.
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One app
One chat for everything music. No jumping between stat trackers, taste analyzers, playlist generators, and concert apps. Just ask Bud.
Stats
Stats that talk back. Every number comes with Bud’s read on it. Other apps hand you a dashboard and walk away.
See what you actually listened to, with plays, minutes, and how they moved.
Three months, three acts:
- June: classic-rock gravity — The Rolling Stones, Steppenwolf, The Doors — with GoGo Penguin and TERU SAKAMOTO already in the room.
- July: a full jazz detour. André Manoukian ran away with the month; Takehiro Honda and TERU SAKAMOTO kept the groove going.
- August: wandering — This Is the Kit edged out The Doors and The Smiths, with film music and Tame Impala in the mix.
TERU SAKAMOTO is the connective tissue, big in both June and July. The genre changed twice; the appetite — atmosphere, groove, slightly strange textures — never did.
Total plays, listening time, streaks, busiest hours — the full picture.
June was the big one, July the reset, August the rebound — and September, halfway through, is moving at a surprisingly healthy pace:
- June: pure immersion, roughly four hours of music a day.
- July: a sharp pull-back, most of all in discovery.
- August: the widest month — hundreds of artists you'd never played.
- September so far: more concentrated, not quieter; the totals only look small because the month isn't finished.
The real shift is musical: rock led June and August, jazz led July and September, and 10 AM keeps returning as your busiest hour.
Exactly how your taste splits across every genre you play.
Half of it is rock in one form or another, with jazz and pop splitting most of the rest. But the plays flatter rock: your jazz runs long — André Manoukian and the Japanese jazz records — so hour for hour it's much closer than the card suggests.
And the rock isn't generic rock: classic and psychedelic are the real currents, guitar-heavy, vintage-leaning, a little strange at the edges. Folk and soundtracks keep it from tipping into pure nostalgia — Sibylle Baier and This Is the Kit are the quiet counterweight.
Your plays and minutes, mapped across days, weeks, and months.
Steadier than the fortnight before. The working week held up — Mondays and Wednesdays a clear step above the same days two weeks earlier — while the second weekend dipped hard on Friday and Saturday, then snapped back on Sunday.
Less swing from day to day, more of a rhythm: the difference between listening when something grabbed you and listening as part of the day.
Compare multiple timeframes and watch your taste shift.
June and July were proper fixation months; August was more of a slow-burn mood. June belonged to The Pusher, with Donovan and Jasmine Myra close behind. July found a new centre of gravity in André Manoukian's Soufi Dance — less rock obsession, more hypnotic detail. August had no single obsession: Give Me a Smile led narrowly, and the whole month tilts intimate and folk-shaped.
The thread through all three: music with atmosphere and room inside it. Even when the genre changed, you were chasing texture, not hooks.
Accuracy
Your real numbers, counted properly. Bud reads Apple’s own play counters on your iPhone instead of guessing from a list of what you played recently.
Numbers that match what you actually played. A song you had on repeat counts every time. A four-second skip doesn’t count at all.
A list of recent plays: songs on repeat counted every time, a few-second skip counted as skipped.
Beyond stats
Ask for more than a number. Playlists that land in your library, shows you’d have missed, and the story behind anything you’re playing.
Describe a mood, a time, or a memory. Bud builds the playlist and sends it straight to Apple Music.
Bud tracks the artists you actually play and tells you when they’re coming to town.
Lyrics, artist stories, music history, and what’s happening this week. Bud knows music like a friend who never stops reading about it.
Describe a mood, a time, or a memory. Bud builds the playlist and sends it straight to Apple Music.
Make me a playlist of the songs I've played more than 10 times over the last two months.
Nineteen songs cleared the bar since mid-July. They're in play-count order, so it opens with the biggest obsession and works down through the rotation.
The shape is extremely you right now: Japanese jazz and French cinematic colour on one side, '60s and '70s psychedelia and classic rock on the other, and a surprisingly tender folk pocket in the middle. Soufi Dance led the whole thing, but the more revealing pattern is how often you came back to instrumental music — even your rock phase keeps wanting atmosphere.
Bud tracks the artists you actually play and tells you when they’re coming to town.
Is Jasmine Myra playing anywhere in Europe this autumn?
Yes — a whole autumn of it. She came into your listening in June, in the same fortnight as GoGo Penguin and Mammal Hands, and of the three she's the one you kept for a single song: Horizons, 31 plays since May, more than everything else of hers combined.
Berlin is October 8 at Kantine am Berghain — a small room, which is exactly where Horizons belongs, and the first chance to hear the rest of the record you've barely touched.
Lyrics, artist stories, music history, and what’s happening this week. Bud knows music like a friend who never stops reading about it.
What does the verse about the four horsemen in Aphrodite's Child's "The Four Horsemen" actually mean?
It's a compressed, almost chant-like retelling of Revelation 6, where the Lamb — Christ — opens four seals and each one releases a horseman.
The white horse with the bow is conquest, the first force that rides out to dominate; the red horse with the sword is war and the end of peace; the black horse with the scales is famine — a merchant's scale, food being measured and rationed; and the pale, greenish horse carrying pestilence is death. Conquest, war, hunger, death: an anatomy of a civilisation coming apart, unveiled one seal at a time.
What makes this version so unnerving is that the music never explains or moralises any of it. The repeated colour lines and the endless fa-fa refrain turn the prophecy into a ritual — beautiful, catchy, emotionally vacant. You're not being warned about the apocalypse; you're hearing it become a nursery rhyme.
Any news on Tame Impala?
The concrete one: Tame Impala have announced a 2027 UK and European tour with Wet Leg, Manchester and London included. The bigger headline is still a rumour — NME, Stereogum and Consequence all report they're in talks to headline Coachella 2027, nothing official yet.
And the human one: Kevin Parker says he's done signing after shows, because of increasingly aggressive autograph hunters — some using children to get close, which he called "all kinds of wrong." No new album in any of this; right now the story is touring, spectacle, and Parker guarding the space around the show.
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Privacy
Your listening stays yours. We don’t sell your listening history or personal data. We only share the information needed to provide our essential functions with the service providers named in our privacy policy.
Data control
You can take it all back. Delete your account in the app and everything goes with it — your listening history, your conversations, your files. No waiting period, no email to send.Deleted account data may remain in backups for up to 14 days, until those backups expire
Built for Music
Your listening,
open to questions.
Get notified when MuseBud is available on the App Store.
FAQ
Your questions, answered before you ask.
Contact
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